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Artists Space

Founded in 1972 in downtown Manhattan, Artists Space fosters the artistic and cultural life of New York City as a primary venue for artists’ work in all forms. An affinity with emerging ideas and artists is central to our institution, as is attentiveness to the social and intellectual concerns which actively inform artistic practice. We strive for exemplary conditions in which to produce, experience, and understand art, to be a locus of critical discourse and education, and to advocate for the capacity of artistic work to significantly define and reflect our understanding of ourselves.

UPCOMING

There are no upcoming events.

Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. Image Courtesy Artists Space, New York
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. Image Courtesy Artists Space, New York
Ellen Fullman: Long String Instrument. Performance documentation, May 3rd, 2024. Photo by Casey Kelbaugh. Image Courtesy of Frieze and CKA.
Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. Image Courtesy Artists Space, New York
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Creative Time

For nearly 50 years, Creative Time has commissioned and presented ambitious public art projects with thousands of artists throughout New York City, across the country, around the world—and even in outer space. Our work is guided by three core values: art matters, artists’ voices are important in shaping society, and public spaces are places for creative and free expression.

UPCOMING

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Moving Chains Governors Island Credit Timothy Schenck
Photograph by Charlie Samuels, courtesy Creative Time
Filip Wolak Rashid Johnson - Red Stage
Photograph by Kara Walker, courtesy Creative Time
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Eyebeam

Eyebeam was one of the first organizations dedicated to supporting artists who create with technology. Since our founding more than 20 years ago, over 500 artists have received support through our flagship fellowship, with hundreds more having participated in our exhibitions and gatherings. We are building from an adventurous legacy and breaking new ground in the role technology can play in our lives by empowering artists concerned about injustice and inequity. Eyebeam.org is our new home, and we are establishing deep relationships with brick-and-mortar friends to powerfully present and amplify the work of our artists.

UPCOMING

There are no upcoming events.

Capture of artist talk, “Disability Pride Panel,” ITP NYU Brooklyn Navy Yard, “Radical Experiments: Making/Breaking Space,” July 17. 2023. Photo credit: Maximo Xtravaganza. © Maximo Xtravanganza.
Capture of artist talk, “The Makings of Alternative Infrastructures,” CP Projects Space at the SVA MA Curatorial Practice Program, “Eyebeam Exchange” talk series, May 29, 2024.
Capture of “Towards World-Building Sciences at the End of the World,” Kaye Playhouse at Hunter College and Eyebeam, “Refiguring the Future” public engagement series, February 9, 2019. Photo credit: Christine Butler. © Christine Butler Photography.
In Her Interior, “Her Eyes Were As Black As Coal...” Mixed media installation and Video, in collaboration with alembic ceramicist Ashley Haywood and hat sculptor Annie Wright. 205 Hudson Gallery, “Refiguring the Future” public engagement series, February 8, 2019. Photo credit: Christine Butler.
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Museum of Contemporary African Diasporan Arts (MoCADA)

The Museum of Contemporary African Diasporan Arts (MoCADA) celebrates the cultural breadth of the African diaspora by connecting the intersectional experiences of Black people worldwide through the lens of art, education, and advocacy. Born in 1999, MoCADA grew from the graduate thesis of our founder Laurie Angela Cumbo on the feasibility of an African art museum contributing to neighboring Black communities. Twenty-five years later, MoCADA is more than a museum. We instill a sense of pride through representation and access to the arts while delivering on our promise for cross-cultural exchange and other life-sustaining resources. With three NYC locations and numerous programs that extend beyond our physical footprint, we pride ourselves on being a vehicle for social change, an art incubator, and a community bridge that transforms people and neighborhoods near and far.

UPCOMING

There are no upcoming events.

MoCADA Ubuntu Garden is our community green space and sculpture park, centering agriculture, climate justice, wellness, and healing through workshops, special events, and highly visible public art projects.
MoCADA Culture Lab II @ L10 is our new, state-of-the-art, contemporary gallery + performance space + cafe, dedicated to the celebration of Africa + the diaspora via high-profile exhibitions, performances, thought leadership, community conversations, + interactive learning.
MoCADA Abolition House is our seasonal home on Governors Island, which offers topical, social justice-driven arts programming and a safe space for cross-cultural conversations and gatherings.
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Performance Space New York

Over the last 40 years Performance Space has been propelling cultural, theoretical, and political discourse forward. Futurity and world-building connect the interdisciplinary works presented here—works that have dissolved the borders of performance art, dance, theater, music, visual art, poetry and prose, ritual, night life, food, film, and technology, shattering artistic and social norms alike.

UPCOMING

Sunday,
Dec. 01

  • REHEARSAL SPACE
  • WORKSHOP

Open Movement
As we approach our 100th Open Movement workshop, we continue our tradition of providing an open platform for movement exploration and artistic expression. Curated and organized by Monica Mirabile, Open Movement is a free program open to all ages, abilities, and levels of experience that offers both space for self-guided movement practice and artist-led workshops. Every Sunday from noon to 4pm, we welcome you to the Performance Space New York theaters where Open Movement is held. Here, participants are invited to move in whatever way feels comfortable to them—stretching, drawing, dancing, rehearsing, and observing if they don’t feel called to move. Many in the Open Movement community describe this environment as a sacred space for self-discovery, connection, and feeling present in their bodies. At 4pm, our program shifts to feature workshops guided by artists and practitioners. Each week, these sessions offer a unique opportunity for participants to engage in two hours of participatory practice, exploring a range of themes from movement techniques, to performance philosophies, wellness practices and beyond. Open Movement workshop facilitators are a part of our extended Performance Space network: many of these artists have been regular participants in Open Movement and have created or hosted programs in our theaters. This season will feature workshops by Elliot Reed (who presented a performance commission, You can hear footsteps, as a part of our 2023-2024 season), BE HEINTZMAN HOPE, Alexandra Tatarsky, Joni, Samer Ghadry, Zion the 83rd Lion, Morgan Bobrown-Williams, Reed Rushes, Danyela Brown, and Whitney Mallett who will also participate in this season’s performance program. As part of our commitment to process-focused initiatives, throughout the year we also host WIP Feedback Front, a showcase of works in progress from emerging artists, many of whom are part of the Open Movement community. Artists present their projects in a casual, supportive atmosphere to get feedback while the works are still being developed. Audience members are invited to share their responses anonymously, creating open exchange between creators and observers. At Open Movement, performance is for everyone, whether you’re experienced or a newcomer. Our mission is to provide a welcoming space for curious-minds to reconnect, ground themselves, and expand their perspectives, wherever they may be on their journey.

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Sunday,
Dec. 01

  • 12:00
  • COMMUNITY SPACE

Black Quantum Futurism
Black Quantum Futurism transforms Open Room (our lobby turn community space) into a sanctuary prioritizing community-based work that uplifts temporal autonomy, play, experimentation, spatial reclamation, and collective visioning. The Memory Vortex Inn is a sanctuary nestled within the liminal corridors of time, blending the realms of Black temporalities, the mysteries of quantum physics, and the interwoven heritage of African and Afro-Diasporic time and memory practices. The Inn calls attention to our ability to manipulate space-time and to imagine and build new realities. 

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Monday,
Dec. 02

  • 07:00
  • READING

Icons
Part of First Mondays organized by acclaimed writer Sarah Schulman, this series invites our communities to experience readings of unpublished works and works in progress by an intergenerational group of vanguard writers. This season we continue to gather over free drinks in our theaters to hear writers discuss what’s on their mind and get a glimpse of the future of literature. For more than 5 years, First Mondays has brought readers and writers together to celebrate the written word from diverse perspectives and genres, all for free.

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Tuesday,
Dec. 03

  • 12:00
  • COMMUNITY SPACE

Black Quantum Futurism
Black Quantum Futurism transforms Open Room (our lobby turn community space) into a sanctuary prioritizing community-based work that uplifts temporal autonomy, play, experimentation, spatial reclamation, and collective visioning. The Memory Vortex Inn is a sanctuary nestled within the liminal corridors of time, blending the realms of Black temporalities, the mysteries of quantum physics, and the interwoven heritage of African and Afro-Diasporic time and memory practices. The Inn calls attention to our ability to manipulate space-time and to imagine and build new realities. 

View event on: Link

Wednesday,
Dec. 04

  • 12:00
  • COMMUNITY SPACE

Black Quantum Futurism
Black Quantum Futurism transforms Open Room (our lobby turn community space) into a sanctuary prioritizing community-based work that uplifts temporal autonomy, play, experimentation, spatial reclamation, and collective visioning. The Memory Vortex Inn is a sanctuary nestled within the liminal corridors of time, blending the realms of Black temporalities, the mysteries of quantum physics, and the interwoven heritage of African and Afro-Diasporic time and memory practices. The Inn calls attention to our ability to manipulate space-time and to imagine and build new realities. 

View event on: Link

Thursday,
Dec. 05

  • 12:00
  • COMMUNITY SPACE

Black Quantum Futurism
Black Quantum Futurism transforms Open Room (our lobby turn community space) into a sanctuary prioritizing community-based work that uplifts temporal autonomy, play, experimentation, spatial reclamation, and collective visioning. The Memory Vortex Inn is a sanctuary nestled within the liminal corridors of time, blending the realms of Black temporalities, the mysteries of quantum physics, and the interwoven heritage of African and Afro-Diasporic time and memory practices. The Inn calls attention to our ability to manipulate space-time and to imagine and build new realities. 

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Printed Matter

Printed Matter is the world’s leading nonprofit organizations dedicated to the distribution, understanding and appreciation of artists’ books and related publications. Founded in 1976, Printed Matter represents over 14,000 titles by thousands of artists from across the globe, and provides a wide range of free programs and services to artists and the public, including events and exhibitions, Art Book Fairs, and a broad distribution platform through its two nonprofit bookstores and website printedmatter.org.

UPCOMING

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Printed Matter regularly organizes exhibitions that engage in the rich history of artists’ publications and draw lines of continuity to a new generation of artists’ publishing. Pictured: Dimensions of the Artist/Designer/Writer/Publisher/Printer/Human, an exhibition presented by Secret Riso Club.
Printed Matter maintains an active schedule of in-store programming with approximately 50 book launches, talks, screenings, panel discussions and performances held each year, free and open to the public. Pictured: a discussion with Ellen Carey, Betsy Sussler, and Kate Zambreno on the occasion of our exhibition Sarah Charlesworth: Image Language, moderated by the exhibition’s curator Christine Robinson.
Printed Matter’s Art Book Fairs serve as an accessible forum and marketplace unlike any other in the arts and culture landscape. Our NY and LA Art Book Fairs are the leading international event for the celebration of artists’ books, forefronting contemporary artists’ publishing and the medium’s rich history. NYABF 2024 welcomed approximately 15,000 visitors and over 300 global exhibitors.
Through our nonprofit, artist-centric bookstore and online catalog, Printed Matter circulates approximately 40,000 artists’ books on behalf of 14,000 international artists and publishers annually. Pictured: Printed Matter's Chelsea facility, a two-story bookstore and exhibition space centered around artists’ books and publications.
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Recess

Recess partners with artists, youth, writers, and their chosen publics to create transformative cultural experiences.

Our programs welcome radical thinkers to imagine and shape networks of resilience and safety. By challenging dominant narratives and activating new forms of creative production, Recess defines and advances the possibilities of contemporary art.

Recess is free and open to the public to serve as a meeting place to generate art, ideas and actions.

UPCOMING

There are no upcoming events.

Session artist Marcela Torres forages for natural clay alongside Assembly fellows during an ideation retreat at Denniston Hill (Glen Wild, NY), Using this clay, Marcela and the fellows created a series of clay land altars and clay water vessels in the Recess gallery space. Part of BARRO a Session X Assembly collaboration.
The Electronic Cafe for Poetic Computation (ECPC) was an internet cafe developed in real time by the School for Poetic Computation (SFPC) for Recess’s Session program. Community members and visitors were invited to participate in a series of workshops and events exploring creative, inclusive, and liberatory uses of networked technology within an abolitionist framework. Photo by Minu Han.
Session artist Hue Hallums conducts a sound bath. Artist KING COBRA’s session collaboration with Hue Hallums, Conjuring the Past, Marking the Present, was a personal ceremony and a rite of passage offering that combined energy healing and body modification. Image by Shaira Chaer.
AYDO during a performance shot during Offering of Dreams, a Recess Session in which AYDO utilized performance-based film and sculptural installation to reimagine precolonial Korean folk and spiritual practices within the contemporary sphere.
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SculptureCenter

SculptureCenter leads the conversation on contemporary art by supporting artistic innovation and independent thought highlighting sculpture’s specific potential to change the way we engage with the world. Positioning artists’ work in larger cultural, historical, and aesthetic contexts, SculptureCenter discerns and interprets emerging ideas. Founded by artists in 1928, SculptureCenter provides an international forum that connects artists and audiences by presenting exhibitions, commissioning new work, and generating scholarship.

UPCOMING

Sunday,
Dec. 01

  • EXHIBITION

In Practice: Tony Chrenka
Tony Chrenka’s studio practice pursues questions of work and perceptions of the progression of time through photography, drawing, and installation. At SculptureCenter, Chrenka will present a series of wooden relief sculptures and a related wall treatment in a work that posits sculpture as an ongoing manipulation of presence and absence in space over bounded intervals of time.

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Sunday,
Dec. 01

  • EXHIBITION

ASMA: Ideal Space for Music
SculptureCenter is pleased to present the first institutional exhibition in the United States of artist duo ASMA, on view Oct 31, 2024, through Feb 3, 2025. Their sculpturally-rooted works stretch the possibilities of materials such as silicon, resin, bronze, steel, or glass, often blending artisan craft techniques with synthetic and industrial processes. Their research methodology integrates intuitive responsiveness to a site with conceptual explorations found within the arenas of mythology, psychology, and posthumanism, viewed through a metamodern lens. For their SculptureCenter commission, ASMA presents Ideal Space for Music, a shattered narrative tapestry with sculptural characters whose presence evokes theatricality. Drawing on the metaphorical capacity of SculptureCenter’s lower level as a place of subconscious nature, works in the exhibition will open a conversation around desire and fragmentation.

View event on: Link

Sunday,
Dec. 01

  • EXHIBITION

Álvaro Urbano: TABLEAU VIVANT
Álvaro Urbano has been engaged in conversation and collaboration with various entities across different times and places, including artists, writers, and architects; plants and animals; buildings, ruins and other human and other-than-human beings. For his project at SculptureCenter, Urbano focuses on a potential ruin, or a ruin in progress – a public artwork by the American sculptor Scott Burton (1939–1989) that was rescued from destruction and now faces an uncertain future. The work was originally installed in the lobby of the Equitable Center building in midtown Manhattan in 1986 until it was dismantled in 2020, victim to a renovation. Atrium Furnishment consisted of a semi-circular seating area made with verde larissa marble, a set of four pink onyx lamps, and a marble centerpiece that originally contained a water feature but later was repurposed as a planter. The circular settee was outlined by a section of planted podocarpus trees and a polished bronze circle delimited the area. The floor surrounding the configuration was also intermittently inlaid with square red granite tiles designed by Burton. The overall shape of the sculptural group was reminiscent of a clock marking 9 to 5, as a reminder of the behavioral structure ruling this corporate setting. Atrium Furnishment was one of many works for public or semi-public space that Burton – a sculptor, performance artist, and writer critical to New York scenes in the 1970s and ’80s – realized throughout his life before he died of HIV-related illness in 1989. Though elements of related exterior works for Equitable Center remain in place, roughly half of his site-specific projects have been removed or modified since initially completed.

View event on: Link

Monday,
Dec. 02

  • EXHIBITION

Álvaro Urbano: TABLEAU VIVANT
Álvaro Urbano has been engaged in conversation and collaboration with various entities across different times and places, including artists, writers, and architects; plants and animals; buildings, ruins and other human and other-than-human beings. For his project at SculptureCenter, Urbano focuses on a potential ruin, or a ruin in progress – a public artwork by the American sculptor Scott Burton (1939–1989) that was rescued from destruction and now faces an uncertain future. The work was originally installed in the lobby of the Equitable Center building in midtown Manhattan in 1986 until it was dismantled in 2020, victim to a renovation. Atrium Furnishment consisted of a semi-circular seating area made with verde larissa marble, a set of four pink onyx lamps, and a marble centerpiece that originally contained a water feature but later was repurposed as a planter. The circular settee was outlined by a section of planted podocarpus trees and a polished bronze circle delimited the area. The floor surrounding the configuration was also intermittently inlaid with square red granite tiles designed by Burton. The overall shape of the sculptural group was reminiscent of a clock marking 9 to 5, as a reminder of the behavioral structure ruling this corporate setting. Atrium Furnishment was one of many works for public or semi-public space that Burton – a sculptor, performance artist, and writer critical to New York scenes in the 1970s and ’80s – realized throughout his life before he died of HIV-related illness in 1989. Though elements of related exterior works for Equitable Center remain in place, roughly half of his site-specific projects have been removed or modified since initially completed.

View event on: Link

Monday,
Dec. 02

  • EXHIBITION

In Practice: Tony Chrenka
Tony Chrenka’s studio practice pursues questions of work and perceptions of the progression of time through photography, drawing, and installation. At SculptureCenter, Chrenka will present a series of wooden relief sculptures and a related wall treatment in a work that posits sculpture as an ongoing manipulation of presence and absence in space over bounded intervals of time.

View event on: Link

Monday,
Dec. 02

  • EXHIBITION

ASMA: Ideal Space for Music
SculptureCenter is pleased to present the first institutional exhibition in the United States of artist duo ASMA, on view Oct 31, 2024, through Feb 3, 2025. Their sculpturally-rooted works stretch the possibilities of materials such as silicon, resin, bronze, steel, or glass, often blending artisan craft techniques with synthetic and industrial processes. Their research methodology integrates intuitive responsiveness to a site with conceptual explorations found within the arenas of mythology, psychology, and posthumanism, viewed through a metamodern lens. For their SculptureCenter commission, ASMA presents Ideal Space for Music, a shattered narrative tapestry with sculptural characters whose presence evokes theatricality. Drawing on the metaphorical capacity of SculptureCenter’s lower level as a place of subconscious nature, works in the exhibition will open a conversation around desire and fragmentation.

View event on: Link

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Lydo, performance view, LYDO x CFGNY, CFGNY in Residence, SculptureCenter, New York, 2023. Courtesy the artists. Photo: Jacob Holler
Claudia Pagès, Typo-Topo-Time Aljibe, 2024. LED screens, metal structure, video with sound (12’32”). 44 x 104 x 32 inches (106 x 264 x 81 cm). Commissioned by SculptureCenter, New York. Courtesy the artist. Photo: Charles Benton
Julian Abraham “Togar”, OK Studio, 2020–ongoing, installation view, Julian Abraham “Togar”: Too good to be OK, SculptureCenter, New York, 2023. Ocean drums, gong, shruti boxes, megaphones, servo motors, microcontrollers, speakers. Dimensions variable. Courtesy the artist. Photo: Charles Benton
Édgar Calel, B’alab’äj (Jaguar Stone), 2023, installation view, Édgar Calel: B’alab’äj (Jaguar Stone), SculptureCenter, New York, 2023. Soil, rocks, audio, carved wood, hoes, candles, and offerings. Dimensions variable. Courtesy the artist and Proyectos Ultravioleta, Guatemala City. Commissioned by SculptureCenter, New York and Hartwig Art Foundation, Amsterdam. Photo: Charles Benton
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Socrates Sculpture Park

Socrates Sculpture Park (SSP) is a community engaged waterfront park dedicated to supporting artists in the production and presentation of contemporary public art. SSP additionally presents inclusive public and educational programming and is an important green space for the neighborhoods of Astoria and Long Island City. Open 365 days a year, admission and all programs are always FREE.

UPCOMING

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On June 20, 2024, Socrates Sculpture Park celebrated the summer solstice and The Socrates Annual artist fellows' ecological interventions. Artist fellow Mamoun Nukumanu invited visitors to experience Earth Resonance, an earthwork featuring music created with instruments integrated into the installation.
Socrates Sculpture Park partnered with Barkha Dance Company to activate Socrates' 2024 solo exhibition, Suchitra Mattai: We are nomads, we are dreamers. Mattai's artwork experimented with the Park’s relationship to the riverfront and with heirloom materials that are uncommon in outdoor public art. Barkha Dance Company brought the sculptures to life with dance and live music.
Opening of Sculptors Working at Socrates Sculpture Park in 1988.
Aerial shot of Socrates Sculpture Park featuring Mary Mattingly's 2023 sculptural ecosystem Water Clock.
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Storefront for Art and Architecture

Storefront for Art and Architecture amplifies the understanding of the built environment through artistic practice. Founded in 1982 by artists and architects in downtown New York, Storefront has chronicled the changing landscape of the city over the years and remains committed to producing and presenting work about diverse notions of place and public life.

UPCOMING

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Aquí vive gente, organized with Museum of History and Community of Puerta de Tierra, 2019. Courtesy: Storefront for Art and Architecture. Photo: Hatnim Lee.
Amanda Williams, What Black Is This, You Say?, 2021–2024. Courtesy: Storefront for Art and Architecture. Photo: Michael Oliver.
Francisca Benítez, Direct Action, 2023. Courtesy: Storefront for Art and Architecture. Photo: PJ Rountree.
Public Space In A Private Time, 2022. Courtesy: Storefront for Art and Architecture. Photo: Michael Oliver.
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Swiss Institute

Swiss Institute (SI) is an independent non-profit contemporary art institution dedicated to promoting forward-thinking and experimental art making through innovative exhibitions, education, and programs. Committed to the highest standards of curatorial and educational excellence, SI serves as a platform for emerging artists, catalyzes new perspectives on celebrated work, and fosters appreciation for under-recognized positions. SI is committed to being an organization that is diverse, equitable, accessible, and environmentally conscious in its work, structure, and programming. Open to the public free-of-charge, Swiss Institute seeks to explore how a Swiss context can be the starting point for international conversations in the fields of visual and performing arts, design, and architecture.

UPCOMING

Sunday,
Dec. 01

  • EXHIBITION

Energies

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Wednesday,
Dec. 04

  • EXHIBITION

Energies

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Thursday,
Dec. 05

  • EXHIBITION

Energies

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Friday,
Dec. 06

  • EXHIBITION

Energies

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Saturday,
Dec. 07

  • EXHIBITION

Energies

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Sunday,
Dec. 08

  • EXHIBITION

Energies

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Ali Cherri: Humble and quiet and soothing as mud, installation view.
Raven Chacon, For Four (Caldera), 2024, detail. 4-channel video and audio 6 minutes 8 seconds
Lap-See Lam, Tales of the Altersea, 2023, installation view. 10-channel video projection, spatialized musical composition, 20 mins.
Vivian Suter, Untitled (Mural), 2023.
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The Drawing Center

Founded in 1977 by Martha Beck, The Drawing Center—an exhibition space in downtown Manhattan’s SoHo neighborhood—explores the medium of drawing as primary, dynamic, and relevant to contemporary culture, the future of art, and creative thought. Its activities are both multidisciplinary and broadly historical, and include exhibitions, publications, and educational and public programs.

 

UPCOMING

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Exterior view of The Drawing Center Photos by Paul Warchol Courtesy of WXY architecture
Exterior view of The Drawing Center Photos by Paul Warchol Courtesy of WXY architecture
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The Kitchen

Founded in 1971 as an artist-driven collective, The Kitchen today reaffirms and expands upon its originating vision as a dynamic cultural institution that centers artists, prioritizes people, and puts process first. Programming in a kunsthalle model that brings together live performances, exhibition-making, and public programming under one roof, The Kitchen empowers its audiences and communities to think creatively and radically about what it means to shape a multivalent and sustainable future in art. The Kitchen seeks to cultivate and hold space for wild thought, risky play, and innovative and experimental making, encouraging artists and cultural workers alike to defy boundaries and sending them into the world to remake art history and catalyze creative change.

UPCOMING

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Amirtha Kidambi and Darius Jones: Angels & Demons. Performance view, The Kitchen at Westbeth, New York, December 9, 2023. Photo by Walter Wlodarczyk
Harmony Holiday: BLACK BACKSTAGE, 2024. Installation view, The Kitchen at Westbeth, March 21–May 25, 2024. Photo by Walter Wlodarczyk.
Ching-I Chang, Miriam Gabriel, Paul Hamilton and Luke Miller in Susan Marshall and Martha Friedman: Two Person Operating System Type 2, 2024. Performance view, The Kitchen at Westbeth, New York, February 4, 2024. Photo by Maria Baranova-Suzuki.
Leslie Cuyjet: With Marion. Performance view, The Kitchen at Westbeth, New York, November 29–December 2, 2023. Photo by Walter Wlodarczyk.
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The Laundromat Project

The Laundromat Project advances artists and neighbors as change agents in their own communities. We envision a world in which artists and neighbors in communities of color work together to unleash the power of creativity to transform lives. We make sustained investments in growing a community of multiracial, multigenerational, and multidisciplinary artists and neighbors committed to societal change by supporting their artmaking, community building, and leadership development.

UPCOMING

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The Laundromat Project Create Change Fellows perform at the 2024 KowTeff Juneteenth Festival. Image credit: Folajimi
The Laundromat Project's Artists as Neighbors: Living Liberation community convening. Image credit: Kolin Mendez
The Laundromat Project Create Change Fellows lead a creative workshop at the 2023 KowTeff Juneteenth Festival. Image credit: Claudia Maturell
The Laundromat Project Create Change Fellows lead a community workshop. Image credit: The Laundromat Project
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White Columns

White Columns is New York’s oldest alternative art space, founded in 1970 by a community of artists in an atmosphere of self-determination and artistic freedom as 112 Greene Street in SoHo. The organization was renamed White Columns in 1980. White Columns’ original mandate – to offer crucial and critical support to artists – remains intact. We are committed to supporting individuals who have yet to benefit from wider commercial, curatorial, or critical support, and to introduce the work of a diverse range of practitioners, of all backgrounds, to a broad and engaged public.

UPCOMING

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Pippa Garner, installation view, 2023. Courtesy of White Columns. Photo by Marc Tatti.
Barbara Ess, installation view, 2023. Courtesy of White Columns. Photo by Marc Tatti.
Piero Penizzotto, installation view, 2023. Courtesy of White Columns. Photo by Marc Tatti.
Carole Gibbons, installation view, 2024. Courtesy of White Columns. Photo by Marc Tatti.